Marcos Ciscar - Ethereal Keys (KONTAKT) - сэмплы клавишных Kontakt
Marcos Ciscar - Ethereal Keys (KONTAKT)
Издатель: Marcos Ciscar
Сайт: kontakthub.com/product/ethereal-keys-kontakt-library
Формат: KONTAKT 5.8.1+
Качество: 24 bit 44.1 kHz stereo
Размер: 1.4 GB
Коллекция глубоких эмбиентных клавишных. Записывая церковный орган в городской церкви, я остановился на комбинации органа, который имел неземное качество. Я отложил все остальные звуки на некоторое время: как насчет комбинации еще большего количества источников звука? Как насчет наличия гигантского церковного органа с еще большими возможностями?
Почему-то, редактируя звуки, я продолжал смотреть эти картины арктических норвежских церквей и захватывающих гор на острове Баффина. Та, что была первой, возможно, имела более пространную звуковую идею, направленную к северному сиянию, кристально чистым озерам, отражению солнца на ледяных ландшафтах и т. д.
Теперь атмосфера была найдена...
Итак, концепция Ethereal Keys - это создание гигантских клавишных с взаимосвязанными источниками звука, такими как церковный орган, орган Хаммонда, электрический орган, фисгармония, аналоговые синтезаторы, сольный вокалист и хор, электрогитары и различные духовые инструменты, а также деревянные инструменты. Чтобы соответствовать арктической теме, идеал звучания должен быть сам по себе не «подлинный», а скорее «замороженный» по своему характеру.
Немного похоже на синтезатор 90-х, но с гораздо большей емкостью памяти и лучшими сэмплами PCM. Например, человеческие голоса предназначены не для того, чтобы звучать «естественно», а скорее как "звуковые фотографии", найденные под арктическим льдом.
Обратите внимание: некоторые из пресетов используют колесо модуляции, чтобы получить доступ к большему количеству слоев звука и параметров. Всегда не забывайте проверять это.
Диапазон клавиш также различен для всех пресетов. Поскольку пресеты содержат различные слои, редактируемые индивидуально, помните, что изменение регуляторов в графическом интерфейсе повлияет на звук в целом.
Опытный пользователь Kontakt 5 может, конечно, редактировать слои отдельно по желанию. Добро пожаловать в музыкальную вечную мерзлоту!
RECORDINGS
• The church organ was recorded with 5 microphones at 24 bit 96KHz to obtain the most realistic samples with natural reverb. At the processing stage noise was reduced and a tape simulator plugin was added.
• The harmonium was recorded with two microphones at 24 bit 44,1KHz.
• The synthesizers were line recorded in stereo or mono at 24 bit 44,1 KHz except for the Matrix 12 that was recorded in 16 bit 44,1KHz through an old, digital mixer with a specific, crisp sound. The Sub Phatty was recorded at 96KHz and dithered to 44,1 KHz.
• The L-100 organ was recorded with two microphones pointing at the rotating speaker of the cabinet at 24-bit, 44,1 KHz.
• The B20CR was line recorded at 24-bit, 44,1 KHz.
• DevaLaya was recorded in a vocal booth at 24-bit, 44,1 KHz.
• The Lesjofors Choir was recorded in a church with four microphones at 24-bit, 44,1 KHz.
• The electric guitars were line recorded at 24-bit, 44,1 KHz.
• The wind instruments etc were recorded in a vocal booth and studio room at 24-bit, 44,1 KHz.
PRESETS
• Arctic cathedral
• Church organ with added pad and fat synth sounds when playing at harder velocity. Pitch control is added to the synth layers.
• Cold mass
• Church organ with added choir when playing at harder velocity. The modulation wheel controls a solo voice layer. Pitch control is added to the choir layer.
• Distant sun
• Choir, solo voice and pad with added electric organ pedals in the lower range. Pitch control is general.
• Ethereal organ
• Church organ.
• Fairness of light
• Solo voice with non-looped bottle blow. The modulation wheel morphs between ohs and ahs. Pitch control is general.
• Fluffy clouds
• Double pad in fifths with string-like pad added when playing at harder velocity. Pitch control is general.
• Frozen angels
• Choir and solo voice. Pitch control is general.
• Heavens backyard
• Tonewheel organ with non-looped flute. The modulation wheel controls a chimes layer. Pitch control is general.
• Ice flute
• Electric organ flute with spring reverb. The modulation wheel controls vibrato. Pitch control is general.
• Last breath
• Non-looped harmonium with non-looped bottle blow. Pitch control is general.
• Let there be light
• Solo voice with church organ and pad. The modulation wheel morphs between ohs and ahs. Pitch control is added to the solo voice and pad layers.
• Miles of white
• Square wave sound with electric organ pedals in the lower range. The modulation wheel that controls vibrato and pitch control is added to the square wave layers. Pitch control is added to the square wave sound layer.
• Night of obscurity
• Double pad in fifths and chimes with string-like pad and choir added when playing at harder velocity. • The modulation wheel controls a solo voice layer tuned down a fourth. Pitch control is general.
• Organic friendship
• Church organ and tonewheel organ. The modulation wheel controls a pad layer. Pitch control is added to the tonewheel organ and pad layers.
• Permafrost
• Non-looped pan flute, pad, square wave sound, chimes and electric organ pedals. Playing at harder velocity adds more pan flute. The modulation wheel controls a layer of non-looped bottle blow sound. • Pitch control is general.
• Polar experience
• String-like pad that contains a bit of synth noise. Playing at harder velocity opens the cutoff filter. The modulation wheel controls LFO. Pitch control is general, 1 octave.
• Stratosphere
• Non-looped electric guitars, tonewheel organ and pad. The modulation wheel controls vibrato and pitch control is also added to the guitar layers.
• Sweet memories
• Solo voice and pad. The modulation wheel morphs between ohs and ahs. Pitch control is general.
• The fabulous five
• Church organ, tonewheel organ, pad, choir and solo voice. Pitch control is general.
• Tubular world
• Non-looped electric guitars, tonewheel organ, pad and choir. The modulation wheel controls vibrato and pitch control is also added to the guitar layers.
• Weightless
• Non-looped pan flute and pad. Playing at harder velocity adds more pan flute. Pitch control is general.
• Wind sweeper
• White noise to create polar wind effects. The modulation wheel controls a combination of cutoff filter and resonance which affects the intensity.
SAMPLED INSTRUMENTS
• Church organ Built in 1790 and modernized 1981. Newly renovated and expanded in 2015. The timbre sampled is a secret stop combination.
• Hammond L100 (Slow Leslie)
• Yamaha Electone B20CR (Flute and Bass Pedals)
• Harmonium Synthesizers
• Roland JX-10
• Moog Sub Phatty
• Oberheim Matrix 12
• Female vocalist: DevaLaya Guleng (Ohs & Ahs)
• Choir: The Lesjofors Choir (Ahs)
• Additional sources: Large bottle (with various amounts of water), Pan pipes, Flute, Mark tree, White noise, Electric guitars, Fender Stratocaster, Hagstrom Viking
Издатель: Marcos Ciscar
Сайт: kontakthub.com/product/ethereal-keys-kontakt-library
Формат: KONTAKT 5.8.1+
Качество: 24 bit 44.1 kHz stereo
Размер: 1.4 GB
Коллекция глубоких эмбиентных клавишных. Записывая церковный орган в городской церкви, я остановился на комбинации органа, который имел неземное качество. Я отложил все остальные звуки на некоторое время: как насчет комбинации еще большего количества источников звука? Как насчет наличия гигантского церковного органа с еще большими возможностями?
Почему-то, редактируя звуки, я продолжал смотреть эти картины арктических норвежских церквей и захватывающих гор на острове Баффина. Та, что была первой, возможно, имела более пространную звуковую идею, направленную к северному сиянию, кристально чистым озерам, отражению солнца на ледяных ландшафтах и т. д.
Теперь атмосфера была найдена...
Итак, концепция Ethereal Keys - это создание гигантских клавишных с взаимосвязанными источниками звука, такими как церковный орган, орган Хаммонда, электрический орган, фисгармония, аналоговые синтезаторы, сольный вокалист и хор, электрогитары и различные духовые инструменты, а также деревянные инструменты. Чтобы соответствовать арктической теме, идеал звучания должен быть сам по себе не «подлинный», а скорее «замороженный» по своему характеру.
Немного похоже на синтезатор 90-х, но с гораздо большей емкостью памяти и лучшими сэмплами PCM. Например, человеческие голоса предназначены не для того, чтобы звучать «естественно», а скорее как "звуковые фотографии", найденные под арктическим льдом.
Обратите внимание: некоторые из пресетов используют колесо модуляции, чтобы получить доступ к большему количеству слоев звука и параметров. Всегда не забывайте проверять это.
Диапазон клавиш также различен для всех пресетов. Поскольку пресеты содержат различные слои, редактируемые индивидуально, помните, что изменение регуляторов в графическом интерфейсе повлияет на звук в целом.
Опытный пользователь Kontakt 5 может, конечно, редактировать слои отдельно по желанию. Добро пожаловать в музыкальную вечную мерзлоту!
RECORDINGS
• The church organ was recorded with 5 microphones at 24 bit 96KHz to obtain the most realistic samples with natural reverb. At the processing stage noise was reduced and a tape simulator plugin was added.
• The harmonium was recorded with two microphones at 24 bit 44,1KHz.
• The synthesizers were line recorded in stereo or mono at 24 bit 44,1 KHz except for the Matrix 12 that was recorded in 16 bit 44,1KHz through an old, digital mixer with a specific, crisp sound. The Sub Phatty was recorded at 96KHz and dithered to 44,1 KHz.
• The L-100 organ was recorded with two microphones pointing at the rotating speaker of the cabinet at 24-bit, 44,1 KHz.
• The B20CR was line recorded at 24-bit, 44,1 KHz.
• DevaLaya was recorded in a vocal booth at 24-bit, 44,1 KHz.
• The Lesjofors Choir was recorded in a church with four microphones at 24-bit, 44,1 KHz.
• The electric guitars were line recorded at 24-bit, 44,1 KHz.
• The wind instruments etc were recorded in a vocal booth and studio room at 24-bit, 44,1 KHz.
PRESETS
• Arctic cathedral
• Church organ with added pad and fat synth sounds when playing at harder velocity. Pitch control is added to the synth layers.
• Cold mass
• Church organ with added choir when playing at harder velocity. The modulation wheel controls a solo voice layer. Pitch control is added to the choir layer.
• Distant sun
• Choir, solo voice and pad with added electric organ pedals in the lower range. Pitch control is general.
• Ethereal organ
• Church organ.
• Fairness of light
• Solo voice with non-looped bottle blow. The modulation wheel morphs between ohs and ahs. Pitch control is general.
• Fluffy clouds
• Double pad in fifths with string-like pad added when playing at harder velocity. Pitch control is general.
• Frozen angels
• Choir and solo voice. Pitch control is general.
• Heavens backyard
• Tonewheel organ with non-looped flute. The modulation wheel controls a chimes layer. Pitch control is general.
• Ice flute
• Electric organ flute with spring reverb. The modulation wheel controls vibrato. Pitch control is general.
• Last breath
• Non-looped harmonium with non-looped bottle blow. Pitch control is general.
• Let there be light
• Solo voice with church organ and pad. The modulation wheel morphs between ohs and ahs. Pitch control is added to the solo voice and pad layers.
• Miles of white
• Square wave sound with electric organ pedals in the lower range. The modulation wheel that controls vibrato and pitch control is added to the square wave layers. Pitch control is added to the square wave sound layer.
• Night of obscurity
• Double pad in fifths and chimes with string-like pad and choir added when playing at harder velocity. • The modulation wheel controls a solo voice layer tuned down a fourth. Pitch control is general.
• Organic friendship
• Church organ and tonewheel organ. The modulation wheel controls a pad layer. Pitch control is added to the tonewheel organ and pad layers.
• Permafrost
• Non-looped pan flute, pad, square wave sound, chimes and electric organ pedals. Playing at harder velocity adds more pan flute. The modulation wheel controls a layer of non-looped bottle blow sound. • Pitch control is general.
• Polar experience
• String-like pad that contains a bit of synth noise. Playing at harder velocity opens the cutoff filter. The modulation wheel controls LFO. Pitch control is general, 1 octave.
• Stratosphere
• Non-looped electric guitars, tonewheel organ and pad. The modulation wheel controls vibrato and pitch control is also added to the guitar layers.
• Sweet memories
• Solo voice and pad. The modulation wheel morphs between ohs and ahs. Pitch control is general.
• The fabulous five
• Church organ, tonewheel organ, pad, choir and solo voice. Pitch control is general.
• Tubular world
• Non-looped electric guitars, tonewheel organ, pad and choir. The modulation wheel controls vibrato and pitch control is also added to the guitar layers.
• Weightless
• Non-looped pan flute and pad. Playing at harder velocity adds more pan flute. Pitch control is general.
• Wind sweeper
• White noise to create polar wind effects. The modulation wheel controls a combination of cutoff filter and resonance which affects the intensity.
SAMPLED INSTRUMENTS
• Church organ Built in 1790 and modernized 1981. Newly renovated and expanded in 2015. The timbre sampled is a secret stop combination.
• Hammond L100 (Slow Leslie)
• Yamaha Electone B20CR (Flute and Bass Pedals)
• Harmonium Synthesizers
• Roland JX-10
• Moog Sub Phatty
• Oberheim Matrix 12
• Female vocalist: DevaLaya Guleng (Ohs & Ahs)
• Choir: The Lesjofors Choir (Ahs)
• Additional sources: Large bottle (with various amounts of water), Pan pipes, Flute, Mark tree, White noise, Electric guitars, Fender Stratocaster, Hagstrom Viking
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